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of such universals in world literature remains to be studied in any important depth, most stories do seem centered round some concern pertaining to people’ species typical life-history cycle. Jonathan Gottschall’s work on world folklore and Patrick Colm Hogan’s work on literary universals speaks to the fruitfulness of starting with such regularities. As a preliminary start line for literary evaluation, a focus on evolutionary content seems sound if only for the frequency of such representations and for the emotional receptivity most people have for such matters. Intrinsically, the arguments for the importance of an evolutionary approach to literature seem plain. That human beings have advanced and, together with our different capacities, have developed amenities for producing and responding to literature, suggests that we will understand ourselves and literature better by considering what those amenities could be. If Carroll is true, such inquiry should assist create new views on our cognitive and emotional capacities, on formal elements of texts, and on their social and historic functioning. So what has been achieved thus far? In his paper Carroll lays out the agenda for the evolutionary paradigm, as he sees it, with theoretical clarity and in some element, but he contains little by way of instance displaying what evolutionary literary criticism can accomplish. What may we expect? Here are some comments drawn from Carroll’s
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