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education system and the unfold of that system via colonialism. Some involve community factors, such that Shakespeare connections reached a tipping level, while those for different writers did not. The record could be extended nearly indefinitely. None of these explanatory systems is evolutionary. EVOLIST has two competitive advantages in the form of explanations for things that routinely stump other faculties of thought. Both explanations concern worth—the creative merit or quality of the work itself, and the value of literature to human beings typically. The first, the query of artistic advantage, has been particularly troublesome for skilled criticism. Traditional approaches deal with it both as an objective characteristic of the work, which may be identified and declaimed, or as an historical reality, a social consensus with objective markers that can be duly famous. The most common option is to treat it as a profound however largely irrelevant mystery that lies exterior the domain of what could be usefully discussed in a scholarly setting. If I understand Carroll correctly, EVOLIST treats literary high quality as a measure of how adequately the work registers the facts of nature, and due to this fact as one thing subject to specific description and evaluation. These reservations do not diminish the need for evolutionary concept and for a synthesis of state-of-the-art psychology, evolutionary concept and the humanities. Quite the opposite. As identified by E. O. Wilson, Cosmides, Tooby, and
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