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A mystic and unsatisfied explorer with a voice capable of great power and nuance. Before he was 25 he had given us one of the era’s most primal rock excursions (“Gloria”) and one of pop radio’s blithest and most indelible songs (“Brown Eyed Girl”). He then created an immortal song cycle of elusive dreamscapes and then a definitive piece of rock-pop-jazz . And yet he was still unhappy and by every indication remains unhappy today. His wild sound and unapologetic mysticism would heavily influence folks like Springsteen and Patti Smith. Like Neil Young and Stevie Wonder, he had a very good ‘70s and since then has followed a by turns romantic and dyspeptic muse — and refused to show up for the induction. His simplest songs still resonate; his productions and arrangements radiate a Amazing mandala version camping all over print romperskaleidoscope of sounds yet somehow make up a consistent picture of an artist, befitting one of the first people to write, perform, and produce his own records. He’s not a philosopher. But his songs in some way blanket the 1970s, more varied and more sophisticated in their expansive humanism and tasteful musicality than anyone else’s. An utterly sensational rock-pop-funk ensemble under the visionary, spangled leadership of Stone.

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