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The second time you see it, it’s just a clock to show the passing of time. It’s disrespected by the gangs. And the last time you see it, it has the letter of the new cartel in town.
With the phones, there were more scenes, but I learned the best way to show this connection was by showing him being disconnected.
I found this phone booth in New York with the subway behind it, but what struck me was the vending machine with the toy guns and grenades.
Music in the film is a character in itself from cumbia to the actual score, what did you discuss about it?
Frias: It’s the character’s biggest passion and what defines him. Music accompanies him, reminding him of his childhood. It helps him, and something he embraces.
The idea of it is that it is an essential part of the character and his passion in life that we wanted to stick with it.
The music is also meant to last five minutes, but we had them last between five to 10 minutes because we slowed the songs down. It was a metaphor for the character because you don’t want the music to end because we don’t know what’s next. There might be a future or not, it’s not looking good and there are no opportunities and no social upward mobility.
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