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no evolutionary reason for pondering that romance novels that articulate mating fantasies, pleasurable go-eventualities, should in principle be more or less fitness-enhancing than stop-enhancing tragedies that cause ache by depicting failure and dying, or that even glorify heroic suffering or martyrdom. Thoughts of dying and ache could also be simply as escapist or maladaptive as fantasies of mating, as any psychological hospital might show. Romances can present illuminating mating situations and serve to strengthen urges to bond. Thus, the hedonic tone of a given fiction doesn’t per se present a clue as to its degree of adaptive value, it depends on the work as well as the circumstances of the given reader or viewer. It is even not so clear what counts as adaptive and functional in the current day environment. What from one point of view may be evaluated as “urgent pleasure buttons” may from another point of view appear to serve very important capabilities (relaxation, reinforcement, diffusion of tension etc.). I’m not saying that I actually favor this particular by-product state of affairs or any by-product situation; in fact, based in large part on Boyd’s whole argument, I assume it is no less than as probably that that humans possess artwork-specific variations. I’m solely saying that by-product eventualities strike me as plausible, and that humanist theorists have been too quick

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