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which can also be at stake in the world of the humanities. On the other hand, there are unprecedented possibilities for distinction enhancing global dialogues. In thelong durationthere have been seismic shifts, like that in the sixteenth century when the paradigm shifted from the Mediterranean to the Atlantic. We are living via a interval in which the middle of gravity is transferring to new centres. . The early twenty first century is seeing the growth of a polyphony of art facilities in the East and West in the North and South. The Internet increased the presence of maps in my thinking. It’s become easier to make maps, to vary them, and likewise to work on them collaboratively and collectively and share them (e.g. Google Maps and Google Earth). After the concentrate on social networks of the last couple of years, I have come to see the concentrate on location as a key dimension. This leads us, apparently sufficient, to the importance of astrophysics in explaining the relevance of obscurity for contemporaneity. The seeming obscurity within the sky is the sunshine that travels to us at full speed however which can’t reach us because the galaxies from which it originates are ceaselessly moving away from us at a pace superior to that of light. The Internet and a sure resistance to its present tense have made me increasingly conscious that there is an urgent call to be contemporary. To be contemporary means to perpetually come back to a gift where we now have by no means but been. To be contemporary means to resist the homogenization of time, via ruptures and
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