For most women, his style is a mixture of grudgery and passion. Lengthy approaches with temptation bored him just as much as unraveling the jumble of consequences. There was something horrible, he noticed, in the inevitability of the individual love affair model. Conventional parabolic lines – affection, hand touch, kiss, passionate kiss, feel the body, climax in bed, then add a bed, then less bed, then boredom, water eyes, and ultimate bitterness – for Bond it was shameful and false. Viking welcome to valhalla fill your horn doormat. More than that, he purposely dodged the staging scene for each performance in the play – meeting at a party, restaurant, taxi, Bond’s apartment, girl’s.
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