Mom Est 1993 And Gigi Est 2021 Flower Shirt, hoodie, tank top

Mom Est 1993 And Gigi Est 2021 Flower Shirt, hoodie, tank top

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Mom Est 1993 And Gigi Est 2021 Flower Shirt, hoodie, tank top

It takes two to tango: That seemed be the message of the second and final chapter of S.W.A.L.K., the Nick Knigh–directed fashion film Maison Margiela creative director John Galliano premiered during the digital couture week in July. Or as the show notes put it, “The reliance of one person upon another … is a vital pas de deux activated by instinct and trust.” Galliano has been thinking a lot about human interdependence during the pandemic, and how our collective future is inextricably bound together. For spring 2021, he expanded his Recicla offerings, a new green line of lovingly restored vintage pieces that carry a special white label. There were more of fall’s excellent wicker bags, as well as lace tops, beaded evening bags from the 1960s, and red velvet tango pumps informed by the visual world of dance. —Alison S. Cohn Mom Est 1993 And Gigi Est 2021 Flower Shirt, hoodie, tank top

Miu Miu showed its spring offering on an elliptical stadium set built by AMO, a nod to the idea that both fashion shows and sporting events are “an arena of observation.” Leave it to Miuccia Prada to make athletics such a cerebral experience. The entire audience, alas, was a digital one, but they existed as part of the experience: Three digital lounges of screens displayed women tuning in from around the world. That sporting motif continued to the runway, where evening met jersey-inspired pieces, short shorts and sneakers were topped with dress coats, rugby stripes played with miniskirts, and ultra-short shorts existed somewhere between swimsuits and running costumes. Is she the player or the observer? Perhaps a bit of both? —Kerry Pieri

While we’ve often looked to Chanel invitations for hints as to the way the Grand Palais would be transformed for the latest show, this season, the house released a teaser video by Inez van Lamsweerde and Vinoodh Matadin. The film highlighted French New Wave actresses Romy Schneider, Anna Karina, and Jeanne Moreau in classics like La Piscine by Jacques Deray; Breathless, A Woman Is Woman, Contempt, and Pierrot le Fou by Jean-Luc Godard; and Elevator to the Gallows by Louis Malle. The invite showed Chanel written out in lights like the Hollywood sign—making it crystal clear that Virginie Viard is inspired by cinema for spring 2021. “This collection is a tribute to the muses of the House … . Gabrielle Chanel and Karl Lagerfeld dressed so many actresses in films and in real life,” Viard said. “I was thinking about them who make us dream so much. But without wanting to replicate. Without falling into a vintage citation. I wanted it to be very joyful, colorful, and very vibrant too.” The collection was joyful and decidedly youthful, with T-shirts printed with the letters of Chanel like neon lights, Old Hollywood–worthy black-and-white gowns, languid denim, leather shorts and pink Capri pants, and easy tweed suiting. Perhaps what an actress might need for an entire press junket, or every part of a woman’s life—if we’re looking forward with the kind of optimism that only Hollywood can champion. —Kerry Pieri

 

 

 

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